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The Groundhog

The Groundhog Issue #1 - Grey Lab

Introducing "The Groundhog" - a series documenting the people and places that make BC's music scene so special.

Posted on October 14, 2025 by Thomas James

The graffiti on the wall of Grey Lab, a local music venue in Vancouver BC
Art by Imanuel Awad (@maniacal_maniacs), photo by Jackson Iseli (@jacksoniseli)

Dark, sweaty, loud. Shoes bounce up and down on the floor. Graffiti jumps off the wall. Gold trim lines the room. Cables connect the stage to the sound booth above. Cramped stairs at the back lead to a smoke pit. Sweat and smoke combine into a unique aroma. Sound waves push through the cracks in the back door while attendees rush to get back inside.

Grey Lab from the outside. Outside Grey Lab (Photo by Mungo Dulmage)

What is a Music Scene

Community driven initiatives are the backbone of local music. Grey Lab. Victoria Event Centre. Black Lab. Little Fernwood. These places carry on a collective spirit and provide the community with a place to experience the magic.

Chronic Fatigue performing to a wild crowd at Grey Lab. Chronic Fatigue at Grey Lab (Photo by Jackson Iseli)

Most people find their way into live music for the bands. If they return, it's because of the people they meet. The local music scene starts with the musicians and venues, but it is built upon the friendly faces at the shows. These environments offer chances for real human connection that may not happen in larger venues, and they can open the door for people on the outside.

“So funny enough, Grey Lab was one of the first places I went to when I got into the music scene... and I just didn't stop.”

- Jackson Iseli

Ghost Teeth performing at Grey Lab. Ghost Teeth at Grey Lab (Photo by Jackson Iseli)

The Birth of Grey Lab

Before there was Grey Lab there was Black Lab.

“My friend from high school knew the original Reverend Ape guys and they took me to a show in a basement. I just took my camera and I took photos. And just kept going out because it was fun. And then I started going to Black Lab.”

- Mungo Dulmage

Reverend Ape performing at Grey Lab. Reverend Ape at Grey Lab (Photo by Jackson Iseli)

Mungo cut his teeth as a photographer at Black Lab and other Vancouver venues. That first basement show got him hooked, but the idea for Grey Lab came to him because of his experience in the community. Noelle from Black Lab was cited as an important mentor while Mungo got his own venue started. Even the name Grey Lab is a direct homage and shows that community led venues can inspire action.

Grey Lab final show. Grey Lab Finale (Photo by Mungo Dulmage)
“No experience running a venue, no management experience, no sound experience, no permit, zero experience. But instead of just giving up halfway through, I learned a lot, locked in, and pulled it together. So, I think that's kind of what I'm proud of.”

- Mungo Dulmage

Mungo’s eagerness to get started quickly meant learning on the fly.

“The first time I went there, there was barely anything. There was no stage to prop up the bands. The walls didn't have all the cool graffiti type art on it. And it's one of those things that you just get to see organically build-up from young people in the community who really care.”

- Carver Laurie

The inside of Grey Lab before Mungo took over. Before Mungo took over.

But first, Mungo needed help.

“I opened it and I just kind of asked a whole bunch of people. They wanted to help out. A lot of them asked me to come out, wanting to set up the stage, help out with equipment, paint the walls, just set things up. It was pretty crazy, as soon as it started, there was a big outreach of people who just wanted to be a part of it.”

- Mungo Dulmage

Chronic Fatigue performing at Grey Lab. Chronic Fatigue at Grey Lab (Photo by Mungo Dulmage)

His experience as a photographer in the local scene meant that he could lean on his connections in the community for support. But to get the place running smoothly, Mungo needed to assemble a team around him.

“A drunk driver threw me and my friend down a cliff on Bowen Island. We almost died... I didn't have any friends that had cars at the time, like none of my friends drove. I posted on my story asking, ‘can anyone pick me up?’ Mungo picked me up and then drove me to the hospital. Then a couple weeks later called and asked me to come help with some stuff at Grey Lab, and then I just kind of showed up and never left.”

- Scarlet Banks

“Gio, Will, and Scarlet, I think, were the three people that really kept this place running.”

- Mungo Dulmage

“Mungo created a space for everyone that gave them purpose and gave them somewhere to go and created jobs for a lot of people that needed jobs and provided a safe environment for people to start opening up.”

- Scarlet Banks

Significance to the Scene

Grey Lab provided an open and welcoming space for people to let loose and enjoy the music. Mungo and his team weren’t in it for the money, they were inspired by other people in the DIY scene. Community-oriented spaces like these open the door to people who might not otherwise feel welcome. These community builders provide soil for the scene to grow, even if it’s not always immediately visible. Seeds take time to sprout.

“When I first started coming out, I didn't know anybody and now I know half the faces in the room and it's just because it is a friendly and open space.”

- Riffs Around Vancouver

Grey Lab was a space for new bands to start and for existing bands to hone their craft.

Muppet Boys performing at Grey Lab. Muppet Boys at Grey Lab (Photo by Mungo Dulmage)
“Opportunities to play have gone down significantly, and everyone's kind of fighting for spots. Then venues, because of how much pressure there is financially, are incentivized to put on the larger bands. So, a lot of the smaller bills where bands would blow up from aren't happening as much anymore.”

- Mungo Dulmage

Grey Lab from the outside. Grey Lab from the outside.
Felisha's Birthday Show at Grey Lab (Photos by Mungo Dulmage)

DIY venues allow up and coming bands to avoid the greedy “promoters” who’ve monopolized most of the booking for mid-sized venues in the city. Grey Lab was a place where popular bands in the scene, touring bands, and groups playing their first show could all exist under one roof.

“Because of people like Mungo, hundreds of bands actually get a place to perform, get an audience and also have people start to understand the scene…”

- Riffs Around Vancouver

On top of this, Grey Lab became a space for people to gather, whether it was for music shows, art markets or parties.

“In the last six months, I spent more time at Grey Lab than at my home.”

- Jackson Iseli

The financial pressure to attract large crowds isn’t as much of a factor for bands when playing in these smaller spots. This allows new bands to start up, which leads to growth within the scene.

“There was Space Crash Echoes when they did their first show. That one was sold out as well. It was crazy. I think when Sundress did their first show as well, they sold it out.”

- Gio Filice

A big crowd at Grey Lab. Good times at Grey Lab (Photo by Jackson Iseli)

Many bands played their first gig at Grey Lab and have since gone on to gig consistently in the scene.

“Seeing bands, doing sound for bands who were playing their first show, and they were so excited. Just being able to give them a really good experience and make them want to keep doing shows.”

- Gio Filice

Sound

Mungo and his team turned a 100-year-old shell of a building on West Pender into a quality space for music and community. But it didn’t happen right away, and they're the first to admit it. The sound system was one of their biggest challenges, but Mungo and head sound tech Gio worked together to sort it out.

“It was tough because getting good equipment costs so much money. We got stuff that was donated from around the community, which was really nice to get us started… But it turns out that the speakers weren’t wired correctly, and they kept blowing.”

- Gio Filice

Throughout the year, they experimented with different gear and set-ups, working around the limitations present in the building and budget.

“I was sick of hearing every drummer say how after they'd played there, they couldn't hear anything… And I was just like, ‘this has to stop.’ So, I started Facebook Marketplace hunting…”

- Gio Filice

Feedback from the bands and audience was an important part of the process, but behind the scenes, Gio and Mungo were on a mission. Speakers were replaced. The speakers were moved. The sound booth was moved to the balcony above the stage to protect the mixing board from the audience. The constant tinkering led to a successful set-up, even though it was unconventional.

Blue Rivera performing at Grey Lab. Blue Rivera at Grey Lab (Photo by Jackson Iseli)

Safety

Another crucial box to check concerned the safety of the community. Grey Lab’s security team was managed by Scarlet. Her experience in the local arts scene as well as her training as a behavioural interventionist made her an important piece of Grey Lab’s management team.

“Sometimes the shows are the only space people feel like they can go to get away from their lives. And you want to make that space safe, where they're not getting harassed or treated differently.”

- Scarlet Banks

Scarlet a key person at Grey Lab. Scarlet (Photo by Mungo Dulmage)

Scarlet’s dedication to safety at Grey Lab has increased the prevalence of harm reduction practices in the Vancouver scene. Many of the DIY venues are now putting policies into place with the intention of increasing safety in the community. This is another way that Grey Lab has positively impacted the music scene.

Sundress performing at Grey Lab. Sundress at Grey Lab (Photo by Mungo Dulmage)

The topic of harm-reduction will be addressed in a dedicated article in the future.

The Final Show

Police raids. Increased financial pressure. Plans for the building to be torn down. A variety of factors led to the decision to close the venue.

Mungo called the only staff meeting in Grey Lab’s history and announced that the venue would close in September. Grey Lab’s send-off took place on August 31st and was a day to remember. 15 bands. All day and all night. And the final show was delivered in full.

Sundress performing at Grey Lab. Sundress at Grey Lab (Photo by Mungo Dulmage)
“I was so happy. It was nonstop the whole day.”

- Mungo Dulmage

Muppet Boys performing at Grey Lab. Muppet Boys at Grey Lab (Photo by Mungo Dulmage)
“The energy of the crowd and everything that's going on, and the constant crowd surfing, everything like that. Everyone was just having a party. It wasn't even a performance for bands. It was just a party. It's the best show I've been to by far, no question.”

- Jackson Iseli

Benzonn performing at Grey Lab. Benzonn at Grey Lab (Photo by Mungo Dulmage)
“And then the finale, obviously, that was fulfilling to be able to crowd-surf during my own set at the place where I've been devoting so much time for the past 10 months. It was just a perfect last day, I think. Yeah, that was a special moment.”

- Gio Filice

Shrugs Bunny performing at Grey Lab. Shrugs Bunny at Grey Lab (Photo by Mungo Dulmage)

The place was sold-out wall to wall. Being in the audience for that show was surreal. There was a contagious feeling of positivity. Every band played their hearts out. Everyone danced even when they were exhausted. Audience members and performers crowd surfed throughout the night. It was an incredible send-off for a beloved venue in the community.

Farewell for Now

The closing of Grey Lab doesn’t mean that the music scene is dying out. The fact that Grey Lab was inspired by previous community builders, shows that there is hope. Mungo’s efforts will undoubtedly inspire others to start their own art spaces.

“I think as a smaller DIY venue, they did things perfectly. Everybody's friendly, they welcome you with open arms.”

- Riffs Around Vancouver

With the opening of The Mezzanine and the efforts from other local staples like Green Auto, Red Gate, Bully’s Studios, and Take Your Time Back, the loss of venues might just be a natural part of the music scene’s lifecycle. Maintaining a community-centered space takes significant resources and commitment, so the people involved may change over time.

“So, what if we had it as a big collective, right? I feel like there needs to be a way for us to kind of stay unified, rather than distant in our little pods.”

- Scarlet Banks

But the local scene has proven that they’re willing to embrace community-run venues. Yes, the city presents countless challenges to DIY spaces, but the existence of places like Grey Lab proves that people care about keeping the music scene alive.

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Groundhog

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